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I don't think he purposely set out with the goal of evading taxes.It was more that our level of accounting knowledge wasn't up to the task of dealing with revenues on such a large scale." On September 9, 2006, Gainax confirmed a new animated film series called Rebuild of Evangelion, consisting of four movies to be released in 20 originally.The two films were compiled as a single movie (the way they were originally intended to be), called Revival of Evangelion in 1998.The two endings are similar in plot, but while in the film Shinji rejects Instrumentality, the television series ends after his decision is made but before it is clear which option he chose.It is a story of fear, where someone who must face indefinite solitude fears reaching out to others, but still wants to try.Gainax launched a project to create a movie ending for the series in 1997.
The manga was intended to raise interest for the anime (directed by Hideaki Anno with character designs by Sadamoto), which was in development at that point and was intended to be Gainax's next major anime release.The third, Evangelion: 3.0 You Can (Not) Redo was presented in Japanese theaters on November 17, 2012.A number of manga series based on the anime have been released.There was a sudden shift in tone around episode 16 of the series.This was partly due to scheduling restraints, which drastically reduced the number of frames that could be drawn for each episode, and partly due to the Sarin gas attack on the Tokyo subway on March 20, 1995, which occurred while the series was under production; Anno decided to remove elements of the series plot that he felt were too similar to the real-life attack.
The series established a number of distinctive features of future works in the franchise: a stock set of distinctive characters such as Shinji Ikari, Asuka Langley Soryu, Rei Ayanami, Toji Suzuhara, and others such as Misato Katsuragi (for a complete list, see here); a number of philosophical, psychological, and religious themes; and an idiosyncratic vocabulary of symbols and allusions drawing heavily on Christian and Kabbalistic symbolism, Buddhist beliefs, and the Japanese otaku subculture.